American and International Pop & Fine Art Gallery

American and International Pop & Fine Art Gallery

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FAZZINO “Pigeons Droppin’ In On NYC – 3D”

Behind every FAZZINO is a clever title…and the “PIGEONS DROPPIN’ IN ON NYC” is no exception.

“The title just came to me as I was inserting all the pigeons into the composition. Pigeons are all over NY…sometimes, they can be a nuisance, but my art is meant to romanticize their presence …acknowledge their place in the NYC skyline. The reality is that while the pigeons take their place in the art, they aren’t the real focus. I had a lot of gold and silver printed in this piece [challenging to see from the digital image], and the textures are truly remarkable.” – Charles Fazzino

“PIGEONS DROPPIN’ IN ON NYC” is the quintessential FAZZINO New York cityscape, but the palette makes it truly spectacular. The streets are literally lined with gold and the buildings are highlighted in silver and intensely illuminated with genuine Swarovski crystals. It’s a beautifully balanced, and unique FAZZINO rendition.

Our only one “PIGEONS DROPPIN’ IN ON NYC “ limited-edition Prestige (33/100 PR) is hand-signed and numbered by the Master of 3D Pop-art Charles Fazzino, comes with a Certificate of Authenticity issued by Museum Editions, LTD. of New Rochelle, NY, USA.

EDITION SIZE: 125 DX / 125 AP (2017)

C.O.A. NUMBER: A/P 53/125 • Épreuve d’artist: E.A 53/125

FRAMED SIZE: 90cm x 110cm

SKU: SKU# KASEU-FAZ 005 Category: Tags: ,

NON-REFLECTIVE GLASS COVER & FRAMING INFORMATION:

For longevity we use only TRUE VIEW® brand 2mm UV invisible glass, made in the USA, for optimum archival purpose.

TRUE VIEW® museum glass is ten times more expensive than average glass, but is essential for emphasizing 3D dimensions in FAZZINO’s works. It also enhances colors, glow, contrasts, clearly visible texture, brush strokes and every little detail, all without distracting glare. Solely used by the world’s largest museums, for being water-clear, color-neutral, glare-free without sacrificing UV protection.

IN FLOATING-FRAME: Custom made 4.5cm deep, 4cm wide distressed champagne color Italian wood frame, double matted with 10cm wide white and orange (for blue edge accent) acid-free archival mat boards. A spacer is used to create a depth between the museum glass and the art. The result is a look that keeps the aart permanently “floated” in the center of the frame for archival longevity – READY TO HANG!

DESCRIPTION:

This 3D artwork is silkscreen printed (serigraph) multiple times on 100% rag 2-ply or 4-ply US-made 100% cotton-rag “Rising Museum Board” stock and top layers on an English made “Somerset 290gsm” thinner rag-paper. The entire hand-pulled process always only a few hundred, generally 20-50 colors (some colors are printed twice for optimum quality) with full hand color-separation while maintaining precise color trappings. An edition requires 4-6 months to complete, mostly by Kolibri Art Studio Inc. atelier in Los Angeles, USA, working closely with Charles Fazzino at various stages for color and detail approvals.

All of the individual pieces that make up the 3D layers of artwork are cut out by hand using an Exacto knife. They are carefully planned out, achievable only by the most skilled artisans trained for hours in FAZZINO’s methods techniques.

Special silicone glue is used for the layering in drop. A piece of art might only have two or three distinct layers of art, but the artwork may appear to have four, five, or more layers because of the variation in each drop’s height. The pieces are also glued slightly off-center to emphasize the 3D effect. After the artwork is made 3D, it is hand-embellished using acrylic paint glitters and many-many sizable Swarovski crystals applied by hand under Charles Fazzino’s direction.

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