Shag “MOON’S END” • Commemorating the Moonwalk 50th. anniversary (66cm x 101cm)

President John F. Kennedy portrayed space as a new frontier for exploration in a famous speech in 1962 and committed the USA to get a man on the moon by 1970. On July 20th, 1969, man first set foot on the moon with Apollo 11. Legendary photos of Neil Armstrong & Buzz Aldrin were taken at the “Moon’s End” that day. President Gerald Nixon also made a telephone call to the astronauts after planting the U.S.A. flag near the landing site.

SHAG donated a portion of this edition to the Columbia Memorial Space Center in Downey, CA, USA for the celebration of the moonwalk’s 50th Anniversary by Neil Armstrong & Buzz Aldrin on July 20th, 1969.

The “MOON’S END” serigraph limited edition (200 copies) is SOLD-OUT in the USA.We sincerely thank SHAG for hand-signing and numbering these PPs to his 2nd gallery in Europe, in Budapest. These P/P serigraphs include the Certificate of Authenticity issued (C.O.A.) by the gallery.

LAST ONE IN STOCK – CANNOT REORDER

EDITION SIZE: 200 (2019)

C.O.A.: P/P 5/5 – E.I. (Epreuve d’imprimeur): 5/5

RETRO FRAMED SIZE: 67cm x 101cm

850

1 in stock

SKU: SKU# KASEU-SHAG 005 Category: Tag:

FRAMING INFORMATION:

RETRO-FRAME: Custom made 4cm wide, matte white or black lacquered Italian wood frame, matted with 7.5cm wide, blue or purple acid-free archival mat boards covered with museum glass for archival longevity.

DESCRIPTION:

SHAG’s limited editions introduced in Budapest are produced using the silk-screen (serigraph) printing method. Serigraphy for additional color depth, saturation, density, and texture are a perfect match to SHAG’s painting style.

He is collaborating with Kolibri Art Studio atelier in Los Angeles for decades for unparalleled quality at enormous sizes for always a small, limited edition of 200 serigraphs only. Anywhere from 10 to 25 colors (some colors are printed twice for optimum quality) with hand color-separation, required 2 months to print since it is very labor-intensive to complete these unique editions. His media choice is always the US-made, 100% rag 2 or 4-ply “Rising Museum Board” brand, acid-free, thick archival paper, only with 5cm margins left outside the live area. For the finish, SHAG requires a very expensive UV matte clear coat application made for silk-screen printing for preserving the extra longevity of the serigraph print.

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