Amusing as it may seem at the time, you don’t want to be one of these characters wearing the lampshades at a party (or do you)? We think there are better ways to be the life of the party! Shag’s “THE EIGHT SHADES OF DRUNK” will look great in your favorite spot. SHAG’s fascination with consumerism and hedonism definitely are defining elements of this serigraph.
In 2014, in Los Angeles, the famous Corey Helford Gallery held a solo exhibition titled “Pink Elephants”. The exhibit included SHAG’s 24 original painting’s, one of those paintings was “Eight Shades of Drunk”, which sold at the show for $47,000. The painting was often requested to be an edition, but the serigraphs didn’t get released until 2019.
“THE EIGHT SHADES OF DRUNK” serigraph limited edition (only 50 created) in SOLD-OUT at the SHAG galley in the USA. We sincerely thank SHAG for hand-signing and numbering from his personal archive this Artist Proof (A/P 26/30) to his second gallery in Europe, in Budapest. This serigraph includes the Certificate of Authenticity (C.O.A.) issued by the gallery.
EDITION SIZE: 50 + Printer’s Proof (2014)
A/P 21/25 – E.A. (Epreuve d’artist): 21/25
400000 Ft
Out of stock
FRAMING INFORMATION:
RETRO-FRAME Custom made 3cm wide, matte black Italian wood frame, matted with 4cm wide pink color archival mat board and covered with museum glass for archival longevity.
DESCRIPTION:
SHAG’s limited editions introduced in Budapest are produced using the silk-screen (serigraph) printing method. Serigraphy for additional color depth, saturation, density, and texture are a perfect match to SHAG’s painting style.
He is collaborating with Kolibri Art Studio, Inc. in Los Angeles for decades for unparalleled quality at enormous sizes for always a small, limited edition of 200 serigraphs only. Anywhere from 10 to 25 colors (some colors are printed twice for optimum quality) with hand color-separation, required 2 months to print since it is very labor-intensive to complete these unique editions. His media choice is always the US-made, 100% rag 2 or 4-ply “Rising Museum Board” brand, acid-free, thick archival paper, only with 5cm margins left outside the live area. For the finish, SHAG requires a very expensive UV matte clear coat application made for silk-screen printing for preserving the extra longevity of the serigraph print.
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