Every SHAG fan knows that cats are ubiquitous in his work. There is no circumstance or occasion that SHAG don’t find a corner for a cat or a reason why a mysterious pussycat wanders the scene. In the same way, cocktails, mixed drinks, and exotic drinks of all kinds have occupied a leading place since the beginning of his artistic career three decades ago.
In this new series, SHAG combines both signs of identity, regardless of his other habitual obsessions (mid-century design objects, stylish characters, opulent mansions …), and offers us his “COCKTAIL CATS – TURQUOISE”, which released in three color variations, orange with brown, with green, and with turquoise.
Undoubtedly the ideal piece for lovers of these enigmatic pets for fans of elegant drinking.
The entire limited edition (only 100 created) is SOLD-OUT in the US! We sincerely thank SHAG for providing this only-one Artist Proof from his personal archive to his second gallery in Europe, in Budapest. This “COCKTAIL CATS I – TURQUOISE” (S/P 14/25) is hand-signed and numbered by SHAG. The serigraph includes the Certificate of Authenticity/C.O.A. issued by the gallery.
EDITION SIZE: 100 + 25 AP (2020)
C.O.A.: N/A
RETRO FRAMED SIZE: 37cm x 65cm
Out of Stock!
€550
Out of stock
FRAMING INFORMATION: Custom made 4cm wide Italian brown with black textured wood frame with 2 cm wide orange wood fillet and covered with 2mm art-glass for archival longevity.
THE PROCESS OF CREATION: SHAG’s limited editions introduced in Budapest are produced using the silk-screen (serigraph) printing method. Serigraphy for additional color depth, saturation, density, and texture are a perfect match to SHAG’s painting style. He is collaborating with Kolibri Art Studio atelier in Los Angeles for decades for unparalleled quality at enormous sizes for always a small, limited edition of 200 serigraphs only. Anywhere from 10 to 25 colors (some colors are printed twice for optimum quality) with hand color-separation, required 2 months to print since it is very labor-intensive to complete these unique editions. His media choice is always the US-made, 100% rag 2 or 4-ply “Rising Museum Board” brand, acid-free, thick archival paper, only with 5cm margins left outside the live area. For the finish, SHAG requires a very expensive UV matte clear coat application made for silk-screen printing for preserving the extra longevity of the serigraph print.
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