The “CALIFORNIA IS CALLING ME” serigraph is a more personal FAZZINO look at the Golden State than you might think upon initial examination.
He reveals, “I’ve spent a lot of time out in California. I wanted this to be, in a sense, my personal reflection of what California is like”. The piece has a lot of my favorite haunts in it…hotels, restaurants, villages. It’s a different world from New York where I spend most of my time, and I wanted this piece to really capture that. There are tons of hidden gems in this incredibly detailed and intricate composition. From Whiskeytown and Muir Woods, all the way down to Joshua Tree and Pismo Beach.” – If it’s in California, chances are it’s in here!
Our only one “CALIFORNIA CALLING ME“ limited-edition Deluxe (38/125 DX) serigraph is hand-signed and numbered by the Master of 3D Pop-art Charles Fazzino comes with a Certificate of Authenticity issued by Museum Editions, LTD. of New Rochelle, NY, USA.
EDITION SIZE: 125 DX / 125 AP (2017)
C.O.A. NUMBER: 38/125 DX
FRAMED SIZE: 105cm x 76cm
NON-REFLECTIVE GLASS COVER & FRAMING INFORMATION:
For longevity we use only TRUE VIEW® brand 2mm UV invisible glass, made in the USA, for optimum archival purpose.
TRUE VIEW® museum glass is ten times more expensive than average glass, but is essential for emphasizing 3D dimensions in FAZZINO’s works. It also enhances colors, glow, contrasts, clearly visible texture, brush strokes and every little detail, all without distracting glare. Solely used by the world’s largest museums, for being water-clear, color-neutral, glare-free without sacrificing UV protection.
FLOATING-FRAME ONLY: Custom made 5cm wide, 5cm deep white Italian wood frame, double matted with 8cm wide white and orange (for orange edge accent) acid-free archival mat boards. A 1.5cm deep spacer is used to create a depth between the 3D layers. The result is a look that keeps the art permanently “floated” in the center of the frame for archival longevity.
DESCRIPTION:
This 3D artwork is silkscreen printed (serigraph) multiple times on 100% rag 2-ply or 4-ply US-made 100% cotton-rag “Rising Museum Board” stock and top layers on an English made “Somerset 290gsm” thinner rag-paper. The entire hand-pulled process always only a few hundred, generally 20-50 colors (some colors are printed twice for optimum quality) with full hand color-separation while maintaining precise color trappings. An edition requires 4-6 months to complete, mostly by Kolibri Art Studio Inc. atelier in Los Angeles, USA, working closely with Charles Fazzino at various stages for color and detail approvals.
All of the individual pieces that make up the 3D layers of artwork are cut out by hand using an Exacto knife. They are carefully planned out, achievable only by the most skilled artisans trained for hours in FAZZINO’s methods techniques.
Special silicone glue is used for the layering in drop. A piece of art might only have two or three distinct layers of art, but the artwork may appear to have four, five, or more layers because of the variation in each drop’s height. The pieces are also glued slightly off-center to emphasize the 3D effect. After the artwork is made 3D, it is hand-embellished using acrylic paint glitters and hundreds of sizable Swarovski crystals applied by hand under Charles Fazzino’s direction.
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